Diving is a big part of Smith’s life and photographic practice. He sees Over/Under as a way to share his experiences with a non-diver. “I think it’s [diving] the suspense of the unknown of what lies beneath, the transitional part of moving from one element to the next that feels so magical and the thought of what alien creatures I might encounter,” he writes. “I try to convey to the viewer that majestic feeling in a picture format. It’s maybe the best way I can communicate to a non-diver what it’s all about, to marry a wet and unfamiliar world with a dry and more familiar one.”

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